Wednesday, July 2, 2025

Why Am I Like This?

 Why am I like this?

  Was it the multiple concussions or head injuries I've had between childhood and now? The vasovagal responses I'd have every time I had the wind knocked out of me, to the point where I'd bump into something and end up on my back staring at the sky wondering how I got there? Was it the bullying I endured during elementary school from classmates or from my family growing up (tough love, amirite)? The unfettered access to the internet and its "rotten" websites that had me losing brain cells even as I learned "fun" and "interesting" information? Was it the cartoons we used to watch; Ren and Stimpy, South Park, the Simpsons, that weird little dude on YouTube with the spoons or Carl and his penchant for hands or Charlie going to Candy Mountain? My current insomnia that leaves me with 3 hours or less of sleep a night? Was it the very many horrible events that occurred during my lifetime that made my sense of humor a little too skewed to the dark and weird? 

  We'll never know.

  Anyway, I made turn-shoe crocs. 

Sometimes I think maybe I should ask myself if I should before going for it.

  Full disclosure; this wasn't done out of the blue. I intend on making a legit pair of turn-shoes for a project I'm working on, but didn't want that project to be my first. So I figured I'd get a couple of sheets of leather large enough for two pairs of shoes and had the idea of making the "crocs" first. Had I been drinking at this time? Maybe. Maybe not. I don't remember, but I do remember thinking that this would be very funny or at least just very funny to me.

 The first step was buying the supplies for both my legit project and this one, so I started trolling leather sites for something that sparked inspiration. The plain vege-tanned leather I got for the base of the shoe and for my legit project, but I needed something extra for the top of my heinous project. There were plenty of choices for colorful leather, like bright pink, and I have to say I was tempted.

 Colorful leather wouldn't be enough, though. Why not use alligator leather for this? I asked myself, thinking it would add another layer to this horrible idea. The actual-alligator leather I did find was a little too expensive, but I was able to locate embossed cowhide in an alligator pattern. Close enough, even though I was a little heart broken about lowering my standards for my "Ye Olde Turn-Shoe Crocs" (patent pending) but I figured I'd be able to persevere.

  The leather showed up, but I didn't like the color. However, because I'm a shoe hoarder collector, I happened to have leather paint on hand. So the stone gray/blue/whatever leather became bronze. I then followed the same procedure for making turn-shoes, taking notes on what I was doing so that when I went to designing my legit shoes, I'd be able to do it correctly. Note; probably not.


  I finished sewing the shoes and was moderately happy with the result, although it was at this point I hit a roadblock. They needed the straps, but I was determined to have something that stayed with the "ye olde" theme (as in, not plastic). If I was going to do this, then I should probably do it right. Or, I guess, right-adjacent. What could I use for the straps to hold them, though, that would allow me to go into sport mode with ease? Wood would be too hard against the top of my feet if I went the route of making something that would pop through the leather and I didn't want to put the effort into whittling for this. Maybe deer antler toggles, I thought to myself, knowing that I had antler tips somewhere in the study without knowing exactly where. The dark side of my brain spoke up at this point.

 "These are Crocs," the dark side whispered. "Crocs. Use crocodile teeth."

Darth Kermit insisting that I make this project snowball


  I didn't argue. To be fair, I don't usually argue with the dark side of my brain when it urges me to bad puns. Is this project a pun? However, just like the alligator hide, crocodile teeth were difficult to find and expensive. I lowered my standards, again, and purchased a 10 pack of alligator teeth on Etsy. Seriously, you can buy just about anything on Etsy. When the teeth finally showed up, I got out my Dremel and learned very quickly that alligator teeth are surprisingly tough. If you drill any sort of bone or antler, please remember to do it under water to reduce the dust and to prevent the teeth from, you know, catching on fire. Not that I know this from experience.

 With the straps finally attached I realized that these shoes needed at least one more thing to be complete and make them look like Crocs and not slippers; the holes. Once realized, I commenced researching the number of holes and their size; 13 holes, 9mm. I went down a size on the holes to 8mm since leather will stretch. After one attempt at cleanly cutting a hole, I decided a leather punch would be a better option. So I purchased a cheap set and while trying to cut a hole in the leather, I managed to puncture my finger (but not the leather, oddly enough). I returned that set and got a different set. Similar issue; the punch was not sharp enough. The third set that I got from Michaels ended up finally working, but a few of the holes are not as clean as I was hoping. 

 But that's okay, because the final, FINAL thing that these Ye Old Turn-Shoe Crocs™ desperately needed were those weird little charm thingies that I could use to hide the messy holes. I was surprised to learn that there were not a lot of medieval themed Jibbitz that I felt would work with this project. Then a friend, who sometimes fills in for the dark side of my brain when it's quiet, suggested pilgrimage badges.

 

Left shoe... no wait, right shoe close-up

 Another day, another purchase for these stupid shoes. Four hilarious pilgrim badges by Billy and Charlie later, two lovingly laser-printed "Jibbitz," and an old sheepskin later, the Ye Olde Turn-Shoe Crocs were complete. I'd do it again, but maybe in hot pink next time.

The other shoe close-up

Lessons Learned

  • Spend the extra bit of money or time to get a proper set of tools. The cheaper stuff is cheap for a reason.
  • Do not just use the foot tracing when cutting out the shoe as this results in a bulbous looking foot. Design the shoe out further to make it look more normal (notable for the next turn-shoes I intend to make).
  • Alligator teeth take about 6 minutes a tooth to Dremel a hole through, underwater. Out of water, they start burning and smell horrible. Or so I hear.
  • It takes a village. No seriously, the three people I told about this project when I was doing it were so incredibly helpful and encouraging (evil little chaos goblins like myself). I had a ton of fun and I look forward to horrifying people at events with these.

Friday, May 16, 2025

2025 Nettle: May

 One of my biggest struggles with my nettle project is sourcing the actual nettle. If I had a larger property, I would definitely plant a patch somewhere and nurture it to growth, harvesting it in the spring for its supple leaves and in the fall for its fiber bearing properties. However, the house I'm in is situated in a city on what is basically an envelope sized parcel of land, and while I would find it lovely (and chaotic) for nettle to spread into neighboring yards, I'm sure my neighbors would not be pleased. Although they don't seem to care about their ground ivy and dandelions straying into mine, I will keep to the moral high-ground. I'll stick to growing my nettle at home in a pot inside.

My little nettle plant, in a pot, kept inside.

 What does this mean for the nettle project? While I can't plant it where I'm at, thankfully I know people like my mother, who is happy to have something green growing in her yard. She bought a house in Maine that came with an eleven by twenty foot putting green that got hit with a lawn mower a couple of times. It was an eyesore that was not being used except by ants and, in areas where the fake grass carpet was pulled up, by the neighborhood cats (a la litter box). I politely asked her if she would allow me to grow nettle in this spot for a year (maybe two). In trade, I would clean up the putting green and put grass down after the nettle was finished growing. One of the things I learned about nettle recently is that it helps to develop the humus in the soil, with the humus being the dark organic matter at the top of the soil level.

Ye olde putting green, as found at my mother's house.
Once the putting green was removed, I raked the top of the ground to try to find the stakes and any other plastic bits that were leftover. Then I went on my merry way, since it was still too early at this stage to do any planting without fear of a last frost.

Putting green removed, even without grass this spot was improved.

 As well as purchasing the roots from Etsy, I also planted seeds I have gotten from Fedco Seeds (a fantastic Maine seed company). Unfortunately, I ended up dropping the tray of seeds almost directly after planting them and figured nothing would come up. The tray was put outside on the deck and mostly forgotten about.

  To my surprise, the seeds  actually sprouted! But then I did a silly thing, thinking it was going to rain when I left for a few days. It did not rain and a lot of the seedlings in the tray dried out. I have hope that things will rebound.

The nettle planted; they will have to do battle with the ants.

 When I was back in Maine, I prepped the site and roughly gauged where I wanted to plant my 20 bare root plants. It is very symmetrical (not) and well thought out (also not). I'm debating on getting some more bare root plants from the same people to fill it in a bit more, but I also do not want to crowd the spot, knowing that the nettle will spread.

Growth within a couple of days.


 It was amazing to see how well some of the plants did within 24 hours of planting, and even more so within two days. I am not currently at my mother's house to monitor, but I'm excited to see the progress the plants will make this spring. From here on out, unless I add more plants to the plot, it will be a wait-and-see game until this fall.

 I have read that deer will leave nettle alone, however the deer prints near the garden and the lack of the rooted plants existing, all prove this wrong. At least for the little plants. At the time of this post, only three of the 20 plants have actual leaves. The rest have not made much progress; it is possible that this is due to the large amount of rainfall Maine has had, the cold, me planting too early in the year, waiting too long to plant the nettle, or the ants. I will try again. And again, until I finally have access to a solid source of nettle.

Goals for this Plot:

1. Collect nettle that will be used in creating fiber for spinning.

2. Video of me collecting nettle in garb for use in various A&S displays.

3. Disappear the DTV satellite dish.

4. Nettle soup?

Thursday, October 24, 2024

SCA Garb: 9th Century(ish) Old English

     It has come to my attention lately that the garb that I constantly wear is not what I wanted it to be when I first set out on my SCA journey. I'm going to use 2020 as my "switch" date, as during this year I was unable to contribute to my garb collection due to work (as a mariner, I shipped out for most of the year which had its benefits and disadvantages). 

    Muirgel Bera, my persona, is from the late 9th century northern part of Northumbria. One of the reasons I chose an Old English (nee Anglo-Saxon) persona is because I was uncomfortable in the beginning of my time with the SCA choosing a character outside of my own genealogy. A second reason I chose Old English is that t-tunics were within my sewing ability. My garb prior to 2020 represents this; t-tunic dresses in a variety of colors that don't quite fit right because for some reason I always misjudge seam allowance and how much ease I actually needed. The seams on these dresses are falling apart, too, because I didn't fell the seams or just used a zigzag stitch. These dresses are fine, or at least would be if I could still fit into them. 2020, amirite?

    Post 2020, most of my garb was created with Pennsic in mind. A dear friend of mine went to one Pennsic with me and was hooked, so now a lot of my "wearable" garb is Roman or Greek and made from saris since we seem to go back every year now. These dresses are made from vintage cotton saris and fit with the "10 foot rule," but they are lightweight and comfortable to wear in the summer heat. Recently, I have been drawn to the lure of 14th century garb, and have started aspiring to some fancy stuff. However, I do not have a complete outfit for my persona that I feel is fancy enough for court.

    Cut to this weekend, with Spring Crown Tourney coming up. I pulled out four cuts of fabric that I have been hoarding for something with the intention of making an outfit for this event. Two cuts of linen (one Barbie pink) and two cuts of wool. It was tempting to start another 14th century dress, but I had concerns about temperature at this event. Time was also a factor. I don't think I'd be able to start and finish one of these dresses in a week. So I made the choice to make an overdress.

    I chose the fabric first, a nice diamond twill wool that was orange and blue. From a distance, it's mostly orange. I don't know why, maybe it's my contrary nature, but I'm drawn to colors that don't work with my skin tone or clash with each other. This fabric is actually lovely, and not the worst I could have chosen for this task. While I was ironing, I realized that the fabric may not be historically accurate (HA) for my persona, so I dove into Dress in Anglo-Saxon England by Gale R. Owen-Crocker to verify. Thankfully, page 293 says that diamond twill was found in Old English graves, although the finds were likely earlier than Murigel's time. Close enough for me.

I mean, look at this fabric. It's so pretty!

    Most, if not all, of my pre-2020 garb is untrimmed. While considering the neckline, I decided to try for the first time a contrasting trim keyhole neckline. I wanted to be fancier looking that I have been in the past. A dive into the hoard had me pulling out a darker blue linen. I followed the video posted by Wyrd Kindred on YouTube titled "Sew a Viking Age Neckline." The video was clear enough to follow that I felt the contrasting neckline is something I would be happy doing again in the future.

Close up of the neckline being hand sewn to the dress.

    The initial parts of the neckline I did on the machine, but I hand-sewed the neckline to the dress because it gave me the most control around the curves. The majority of the dress was sewn with the machine, but the neckline and the hem of the dress were done by hand. I don't know why I made this choice for the bottom hem, but here we are. I started the dress on Tuesday and finished it by end of day Wednesday.

Not bad for my first contrasting neckline, eh?

    Overall, I'm happy with how the dress turned out. I fell into the same issue as before in regard to seam allowance and adding for positive ease; the dress is tighter than I would have liked. In Murigel's era, dresses were loose to allow for pregnancy and weight changes, as well as to show wealth (the more fabric the more money you have). I also forgot how to make gores, which honestly happens every time I make garb that requires them. This time around was especially bad because I made my gores smaller than I wanted them to be, which is my fault entirely. 

    What underdress will I wear with this? I made the choice while sewing the overdress to wear a blue underdress that I had made by hand in 2022. The embroidery on my dress was based off what I had labeled on my Instagram "a textile find from Sutton Hoo Mound 14" but I didn't write anything down and now I can't find where I found that. If it is from Sutton Hoo, then it's earlier than Muirgel, but I really like the Sgt. Pepper Lonely Hearts Club vibe it gives and it doesn't clash too horribly with the orange. I think I originally found information on this embroidery on one of the Facebook groups, but Amie Sparrow shows it on page 13 of their PDF

The sleeve of the dress.

    With the majority of the outfit decided upon, late Wednesday night I decided to doublecheck headgear. I feel like, especially for female leaning garb, that the headgear is what really locks in an outfit together. A brief perusal on one of the Anglo-Saxon Facebook groups had me realizing that my go-to raw silk veil was not going to cut it. I had to step my game up

    Cut, again, to me making a Jorvik cap out white linen. I've made one before, and would have worn this, but the color was not what I wanted and it didn't fit right. Using the old one as a guide, I made it shorter, and cut the curve a bit more so that it would fit on my head better. I need to redo the straps, but it works for what I need it for, which is to hide my short modern hair and provide something for the veil to be pinned to.

"Jorvik" cap with the tablet woven headband across the top.

    I did about an hour's worth of research trying to find information on Anglo-Saxon veils and while there is a wealth of information out there, it is not super descriptive. The biggest question, and one that gets asked on the Facebook groups often when the topic arises, is what are the measurements? I had about two yards of handkerchief linen that I was going to try to use for a veil, but when I cut it to a width I felt was manageable, it was still too short to have the effect that you see in manuscripts or art from the era. I'm writing this post on Thursday, the day I intend to leave for Maine, and I've officially run out of time to sew my own veil. For this reason, I'm intending on using a scarf I bought a while ago from Amazon (linked here, I don't get a payout if you follow this link, also I'm not 100% sure this is the right scarf but I can't find my other white ones). 

The partially finished look. Don't look too closely at my sleeves, please. Notice also that the keyhole was a waste of time, since the veil covers it anyway.

    I'll update this post when I can get a friend to do a full length photo. I intend to fell the seams tomorrow when I'm in Maine, provided I don't head to a friend's house to pick nettle. The headband being blue wasn't planned; the only tablet woven trim that I have in the house is this blue and white and an orange one. There are other things I'm missing or would like to replace; veil pins (the ones I have are obviously out of period, the veil, the underdress. In the future, I'd like to do a bit more research on veils of the era and try to make a post for the 9th century to help others who are trying to make similar garb.


Wednesday, September 25, 2024

A&S: The Nettle Project Fall 2024

 Prologue

    This nettle project has been an ongoing labor of love for many years, starting even before I joined the SCA. From thinking I was going to grow a bed of nettle at my parents' house to buying a pot from a local nursery, I have at multiple times made an attempt and then failed. I will fully say that with this first real attempt at processing nettle I do not expect to succeed. This is not me being humble, or shy, or what-have-you, this is me fully acknowledging my own limits. I will likely fail. The best part of failing, though, is the opportunity to learn.
    This post contains the full A&S report that I have written. I apologize for the length; I did try to make this as interesting as I could. The report is broken up into different parts. The first explains the gathering and processing of the nettle. The second part goes into the creation of three processing tools created for the project. Lastly, I discuss attempting again to process the nettle. I really hope that this project is entertaining at the very least and informative at the best.

 Introduction

Near the beginning of Pennsic 2023, a friend messaged me to let me know he had stinging nettle growing in his garden. The last time he tried to tell me he had nettle for me, it ended up being a type of thistle and while pointy and slightly painful, it was not the stinging nettle that I had been looking for. Thankfully, this time around it was indeed the correct plant. On October 15th, I drove to his house in Maine and cut it down, aiming to cut it as far to the bottom as I could. While most of the leaves were gone on the stem, there were still a few leaves left on the plant that contained some sting. Ask my face how I know.

            What makes stinging nettle so interesting to me? Urtica dioica, stinging nettle, is a plant that many would consider a nasty weed. In the United States, it grows in areas that had been previously disturbed such as alongside farmed fields, near old houses, or close to chicken coops. The leaves carry a hollow hair that, when touched, breaks off and “injects a little dose of histamine, acetylcholine, serotonin and formic acid” (Stinging, n.d.). Add to this the pervasive way that it grows (aggressively), and nettle gains a bad reputation that has most people getting rid of it as soon as they can. Think mint, but with more bite.

            Despite this bad reputation, Urtica dioica has many uses. After gathering the leaves in the spring (younger leaves are better for this purpose), you can use them as a substitute for spinach or other greens, or even use them in recipes like nettle soup. Nettle has a high level of protein when compared to other plants, upwards of 33%, contain few calories, and a multitude of vitamins such as vitamin A, vitamin C, iron, etc., that make it a very nutritious plant to consume (Adhikari et al., 2015). Stinging nettle is used in folk medicine for a myriad of purposes from acting as a diuretic to managing blood sugar to assisting with prostate health (WebMD, n.d.). My favorite home remedy use for stinging nettles is for those with arthritis; fresh leaves placed on the affected area allegedly help to reduce the severity of arthritis. This has not been proven by medical studies and I have to wonder if the positive result is more from the nettle sting being worse than the arthritis than from the sting actually helping, although any relief should be considered good. Nettle can also be used as a natural dye for fiber, with the roots giving a yellow color and the leaves giving a soft green. The final purpose of nettle is for its use in textiles, which is the purpose of this project.

            The book that got me interested originally in stinging nettle was called Daughter of the Forest by Juliet Marillier (if you go to read it, look for the trigger warnings first). This is a retelling of “The Six Swans” by the Brothers Grimm where instead of aster the main character collects stinging nettle to make shirts. Some renditions of the “Six Swans” have the main character collecting nettle, but it depends on the location where you are hearing the tale. Originally, I read Marillier’s book in high school, but my interest in knitting and fiber arts led me back the story and to nettle as a potential plant for fiber. At one point I bought seeds from Baker Creek with the intention of planting a small parcel on my parent’s property (an idea that never came fully to fruition). Other areas where nettle makes an appearance include in the “Nine Herbs Charm,” which is Old English in origin and dates to the ninth or tenth century (Nigon, n.d.).

            I cannot recall at the time of this writing what else has driven me to become slightly obsessed with nettle, so much so that I decided to permanently ink my arm with a stalk of nettle next to my other favorite plant, lavender. At one point, I attempted to grow nettle in a pot with the intention of keeping it in my house, but I threw it out when it developed spider mites, fearing that it would infect my other houseplants. Eventually, I would love to have my own plot of land with enough space and fewer neighbors to judge me, so that I can grow whatever I want.

            Thanks to the kindness of my friend, I was able to harvest an amount of nettle that should be suitable to use in experimenting. My estimate is that I collected about ten pounds of nettle, with most of the stems being above five feet. It took me about two hours to cut them because I forgot a good set of trimmers and ended up using my small knife. Getting this close to the plant made me feel closer to the project, and the ground, which at the time was quite damp. I do not expect a great yield of fiber from this bounty, as most internet searches suggest that nettles will only give about 2% of its weight to fiber use.

 

Goals

The quick goal:

Create a usable fiber that can be turned into yarn and then into cloth.

The not quick goal:

            My goal with this project was to create a usable fiber from stinging nettle that I could eventually turn into yarn and then into cloth. I am an experienced knitter, but I have not tried my hand at taking a fiber material at the start of its journey (on a sheep, in a field, etc.) and turned it into a useable product. The closest I have come is taking wool roving to learn how to spin. Taking a plant material from its natural state to turn into fiber is something that is outside of my realm of skill, and my hopes with this project is that I can become skilled.

            To be able to achieve this goal, I also have to create the tools for processing the nettle. This includes a flax brake, scutching knife, scutching board, and heckles. As described further in this paper, these tools are not easily come by in newly made condition and antique ones are usually either outside of my price range or decorated with the intention of display. I want usable tools that I will not be afraid to break. As someone who is not a carpenter, the creation of these tools will be another skill to develop.

 

Historical Use as a Textile

            Nettle was commonly used for cordage in the Bronze Age for use in ropes and netting; the process for cordage does not require the same process that using it for textiles would. One can cut a stalk of nettle, pull off the outer husk, let it dry for a bit, and then wind this by hand. They would have used nettle to create cloth, using it alongside flax and hemp, which leaves an issue for those of us interested in the fiber content of clothing finds; it is very difficult to tell the difference between flax, hemp, and nettle fibers (Bergfjord et al., 2012). A study was done on a Bronze Age textile from Lusehøj, Denmark where it was determined that the textile found in an urn was in fact made from nettle. The same paper also suggests that even though the nettle was likely a plant foraged and not cultivated, it was not believed to be a lesser quality plant.
          Stinging nettle continued to be used for cloth up until the 16th century, give or take, when the cotton industry became more productive (Know, 2020). This is to be expected; why would anyone want to try to cultivate an aggressive plant that only drops 2% of its weight in fiber when easier to harvest and more productive plants exist? Linen at least gives 10% of itself to fiber, does not bite, and is easier to cultivate than nettle.

Figure 1 The Field in which the nettle grew (nettle pictured).

The Collecting and Retting Process According to Muirgel (aka experimental)

  • Cut the nettle stalk as close to the base as possible. Theoretically, the taller the plant the longer the fiber, which makes it easier to spin. There is a Facebook group called “Nettles for Textiles” where people have attempted this process before. Some have suggested that carding the fiber will break the strands, which will increase the difficulty to spin, but will also make the result softer. At this point in time, I have not made the decision as to whether I will card or not. It may make sense to lend half of my experimental fiber to carding and half to remain uncarded to see which will work best for my eventual plans.
  • While stacking the stalks into a pile, I ran a gloved hand down the stem to remove the leaves. At this time of the year, the leaves are not in a prime eating stage, and they are too old to use for dyeing. Without the leaves, the stalks will travel easier (strapped down to the top of my Ford Escape) and my chances of being “bitten” much reduced.

 

Figure 2 Harvested nettled with most of the leaves removed.

  • I made the choice to ret my nettle in my yard. To do this, I chose an area where my dog could not reach as he likes to urinate on everything outside (everything). The only clear area I had at this juncture was a three-foot wide five-foot-long space in my side garden next to the driveway where some of my vegetables had been.
Figure 3 Nettle retting in the driveway plot.

  • The nettle was left to sit in this area of my garden. I would flip it every day or so. There was some distraction at this point on account of a cat deciding to move her kittens underneath my garage. The nettle took a backseat while I spent my free time attempting to catch these wily critters. Thankfully, I did manage to catch them, and three of the four were brought to a rescue. The third and most difficult to catch kitten was stolen from me by my mother.
  • After some time, I took the nettle inside to dry. The total time the nettle stalks were in my yard was roughly three weeks. It is possible that the nettle could have stayed out there longer because the weather had started to get chilly and may have slowed the process.

The Process of Processing (Take One)

                The plumber was in the basement messing up the outgoing pipes where they went through the cement, so I was also in the basement taking photos and cursing the day I decided to pursue having a utility sink in the studio. One benefit of this was remembering that I had nettle drying out. It had been about a week since I had hung the stalks to dry out and they appeared to be ready to process into fiber. Or at least, I hoped so. My intention was to pursue processing the nettle in a similar manner to processing flax, keeping in mind that nettle had some different properties.

                There is a Facebook group called “Nettles for Textiles” that is a well of information on the subject, although the ways to process nettle according to the group is varied and likely dependent on location and personal tastes. Some people suggest that the nettle should be broken immediately after cutting, while others suggest breaking after retting. Others suggest retting and drying, and then processing. It is the latter option that I decided to use, as during the retting I was incredibly distracted with trying to catch the cats. I cannot tell you how much time I spent worrying about them.

                The first part of processing involves breaking the plant without breaking it apart to loosen the outer bark. For flax, one would use a flax break to do this. For nettle, the process would be similar, although most of the advice given in the Facebook group seems to say to process in lesser amounts (a few stalks at a time) and not as a larger collection as you would flax. This makes the process more intimate, but also more time-consuming. In December of 2023 I attempted to break the nettle by making a wooden hammer from a 4x4” and the end of a broom stick. My idea was to break the nettle with a hammer; it did not work. I even recorded the attempt in three different angles, so I have three different angles of my failure recorded for posterity.
            I concluded after my failure that the issue was with the retting. The nettle was still strong and not easily broken down. I set the bundle aside to ret at a later date in the spring.


Figure 4 My first attempt at breaking, with a homemade hammer, which ended in failure. It was not, in fact, fine.


Redo of the Retting Process

            Panteria was looming and I had to drive to Maine to drop my dog off at my mother’s house before the weekend event. I was also going to hang out for a couple of days, but before I went, I decided to get the nettle started again. My motivation for projects in the last couple of years have gone through episodes of “yes, let’s do this” and “ugh, I should be working on this.” Pre-Panteria, I was motivated again. I broke the nettle down so that it would fit into a large tote, getting rid of the smaller tips, which is something I should have done when I first picked it. I tossed the nettle in the tote, filled the tote with water, and then put a large cement tile on top of the nettle to weigh it down. There was no way this could go wrong.

            I got back to my house on Thursday and started to load my car for the weekend’s event. There was a slight smell in the air that I figured was just “odeur de ville de merde” and did not think anything of it. Happily, I traveled to Vermont and had an excellent weekend with friends. When I got home, the smell was stronger, but again, I did not think anything of it. I then went back to Maine to get my dog, returning to New Hampshire soon after.

            When I got home, my driveway smelled like a retirement home of snails died on a beach after having an orgy. It was so bad, I would not have been surprised if a neighbor called the police to do a welfare check on my property (although, I think I would have been more surprised someone in this town cared about someone else’s welfare; this is not a happy place). Realizing it was the tote of nettle, I dumped the water on my driveway. This made things worse. I honestly did not have much else for options, because it was probably close to 30 gallons of gross-smelling water, but there may have been something else I could have done if I hadn’t panicked. I also sprayed the nettle down with the hose before setting it aside to dry (again) and then spraying my driveway down after dumping a bunch of dish soap on the pavement. Thankfully, the smell dissipated fairly quickly. Lesson learned; the smell is why fiber products are usually retted in running water and not in the driveway in the middle of a city.
        Once the nettle dried, it got set aside again because I had to replan how I was going to break the nettle stalks. After some reason, I realized I should have used my thumbnail to split the stalks prior to retting and drying. Some research led me to wonder if I should try to find or build flax processing equipment. I was determined to process the nettle I had labored over so much, but other things in my life became more important to focus on. Once again, the nettle would have to wait, this time until I found a flax break and a scutching knife.


The Process of Processing (Take Two)

Introduction

Once your fiber product is properly retted and dried, it is time to “dress” it. This involves three steps; breaking (beaten), scutching (scraped) and heckling (combed) (Hirst, 2019). For breaking, the goal is to force the bark or casing around the fiber to break apart so that you can then scutch or scrape it off in the next step. The third step, heckling, combs the fiber into separate strands. This document will outline the process of creating the tools I need to process plant material into useable fiber for making yarn and then cloth.

            After I retted my nettle in May 2024, I attempted again to break my nettle using the wooden mallet I had made the previous December. After about ten minutes with very little result, I decided to step back and rethink my process. Unfortunately, my motivation to continue was non-existent and the bundle of nettle got put back into the garage where it stayed, in the way, all summer. After tripping over it in the beginning of September 2024, I finally got frustrated enough to start the search for the various tools to process my nettle.


The Flax Brake

            My search was disappointing. Used flax brakes on eBay have gone for over $300. My search for new ones led me to discover that Amazon does not, in fact, have everything (figure 5). Determining that a used or antique flax brake was outside of my budget, I looked for DIYs to make one on my own. This would likely be cheaper in terms of money, although more expensive in time.

Figure 5 I don't believe these things have anything to do with what I'm looking for.

            My ideal brake would be something that would be more easily stored or taken apart. The blueprint I decided on was for a smaller brake that would sit on a table and was able to be clamped down if needed. I call it a blueprint, but it is more of a parts list with an outline of the steps and can be found on the “Spindles in the Wild” website. I will not list everything in this writeup because it can be found on their site, but I will outline some of the lessons I learned from making my own version of it. 
        If all the parts were had, the flax break could be done in one afternoon. If you had some of the fancier tools like a table saw, you could make one in a couple of hours. Lacking a table saw, it took me the better part of the afternoon. They did not list how many lengths of wood you would need; I ended up requiring only four 6’ lengths of 2x3. I decided to follow the directions as they were written without realizing the mistake the author made in describing which boards needed to be shaped. It made sense to me that it should be the top rails, but they were specific in that the base rails needed to have a 45° cut. I realized their mistake and my mistake after having already cut them. This does not affect the end result, but if you attempt the pattern only cut the ends on the top rails.
        The table saw would have come in handy when shaping the tops of the base rails and the bottoms of the top rails. I had to make do with an orbital sander with 80 grit paper, of which I used three sheets. I am content with the result, although the rails could be a bit “sharper” or more pointed.
        My flax brake is based on a DIY guide I found online, one of the only ones I was able to find, and not completely modeled after a medieval version that I am aware of. The earliest flax brakes were wooden clubs or mallets (König, 2020). Later, they evolved into something like a long flat hammer on a stick that could be swung (figure 6). Ever wanting a less physically challenging job, the flax brake evolved even further into a tool that would take less energy to use. This newer version of the flax brake had a handle and either sat on its own four legs or a table. When the handle was lifted, flax was inserted, and the handle brought down upon the flax or plant material to break it.

Figure 6 Two men working with flax brakes while a woman scutches (Book, n.d.)


Time Period and Location

The flax brake (or break, either is fine) is estimated to have been invented around the 13th century in northwestern Europe (König, 2020). The tool is mentioned in writings but the earliest shown one is in a fresco that dates to 1465. The flax brake I have made is close to the one seen in the “Heures á l’usage de Rome” that dates to 1555 (Amiens, n.d.), although it is not an exact match.

König suggests that the flax brake could be Dutch in origin, although earlier finds could suggest Germany (König, 2020). For ease of writing, we will say northwestern Europe. The flax brake mine most closely resembles is French in origin.

Materials

·       Finished pine 1”x3”x6’ (four total)

·       ½” hardwood dowel

·       1 ¼” finishing nails

·       Wood screws, 2”

·       Circular saw, jigsaw, orbital sander, drill

·       A ludicrous amount of 80 grit sandpaper pads

·       Washers, ½” inner diameter, 2” outer diameter

·       ½” forstner bit, ¾” forstner bit

·       Personal protective equipment (PPE)

 Process

            The plans for a flax brake were found on the “Spindles in the Wild” website, where Patti O’Brien Beaumont was kind enough to outline her design in a way that others could follow it. There is a list of the cuts and pieces you would need to make your own, including the quantity for each. The process for building the brake involved following her directions. There is one error in the directions, as mentioned earlier, but if you proceed with this in mind then making the brake should be easy enough.

Figure 7 Compilation photo of some of the steps

            The one area where there was difficulty was in shaping the tops and bottoms of the rails. In order for the brake to work as intended, there should be an edge to the rails. The easiest way to make this edge is with a table saw set to an angle. Unfortunately, I am without table saw, so I ended up making the edge by sanding it. While this works, it was time consuming. Beaumont also suggests that you can increase the distance between the rails to help break the fiber by using more washers, but you would have to keep this in mind and increase the dowel length. The page specifically used for the brake is mentioned in the reference section of this paper; I highly recommend checking out her site if you intend to make your own.
    If I were to do this project again, I would use hardwood and find a table saw. I would also like to attempt to make one using tools that they would have had in period.

Scutching Knife

            Once the fiber has gone through the flax brake, it is time to scutch it. The point of scutching is to take away the rest of the outside bark of the fiber plant by whacking the knife against the fiber while it rests against a surface. The knife is usually wooden and not sharp.

Like the flax brake, there is not much call for newly made scutching knives. At the time of drafting this paper, vintage ones can be found being sold by shops in Estonia for a reasonable price, although these are painted objects likely intended for decoration. Antique ones can also be found on sites like eBay, but for much more than I am willing to spend on something that will likely be forgotten about in the garage after use. DIYs for scutching knives are also far and few; the best one I’ve found is a lovely video on YouTube by Torbjörn Ähman titled “Carving a scutching knife (Growing 1 m2 of FLAX part 3)” (Ähman, 2022). 

Time Period and Location

Neolithic to Modern

The Cotswold Archaeology Virtual Museum has a display for a scutching knife found in Bishop’s Cleeve, Gloucestershire (Cotswold, 2024). The display suggests that the knife is of Bronze Age origins, and although there is no proof that the knife was used for the production of fiber materials, it resembles a scutching knife enough that the virtual museum has labeled it as such. Other scutching knives can be found in 16Th century art, such as in the Da Costa Hours, MS M.399, fol. 12v (MS, 2018). In this image, men are breaking the flax with hand tools while a woman in the background uses a scutching knife against a scutching board.


Figure 8 Bronze age "scutching" knife (Cotswold, 2024)

Scutching knives can be found throughout Europe. The French book of hours, “Heures á l’usage de Rome,” shows a woman using a knife similar enough to the one I made. Other depictions of scutching knives have them looking more like paddles.

Materials

  • White wood board, roughly 16”x9” and 1” thick
  • Jigsaw, circular saw, and orbital sander
  • Another ludicrous amount of 80 grit sandpaper
  • Personal protective equipment (PPE) 
Figure 9 The board with my design drawn out.

Process

            The video makes the process look simple. Just get a properly sized chunk of wood, trace out the design, cut, and then shape. Ähman uses proper carpentry tools that I do not have in my garage. The resulting scutching knife turned out pretty well for something that I eyeballed. I ended up using my circular saw for some sketchy 45° cutting, a jigsaw, an orbital sander, and close to three or four pads of 80 grit sandpaper.

            After looking at pictures of scutching knives online, I had an idea of the shape I wanted. Butcher knife, but bigger, less sharp, and more wooden. I drew out my idea onto a piece of wood I had that was roughly 16” x 9” and ¾” thick (it is supposed to be 1” thick, but its real thickness is less). The wood was whitewood or pine; it was something that had been sitting in the garage waiting to get used. Once I had my idea sketched onto the board, I cut the long straight end with my circular saw (the top of the knife) and the rounded ends with my jigsaw. After this, I went back to the circular saw, moved it to a 45° angle, and cut one side of the blade so that it was angled. Unfortunately, I could not figure out a safe way to do this to the other side of the blade. This is where a table saw would have come in handy.

            After the cuts were done, I loaded up the sander with 80 grit paper and started sanding down the edge. My goal was to create a knife edge that would be suitable for scutching. Once I liked one edge, I flipped the knife and sanded down the other. When that was satisfactory, I continued shaping the handle and top of the knife. I drilled a ¾” hole in the knob of the handle with the intention of adding a spliced line to the end so that I can hang it off the scutching board.


The Steps

  1. Trace out the design onto the wood board.
  2. Using the circular saw, cut the board along the straight edges. Then take the jigsaw and cut the bendy parts.
  3. Adjust the circular saw so that there is a 45° and carefully cut alongside the edge of the blade. If you are able, flip the knife and do the same for the other side. I was not able to safely do this for one side of the knife, so I used sandpaper for shaping.
  4. Using the sander and rough sandpaper, start forming an edge on both sides of the blade. Sand the handle as well. Take a 220 grit to the handle afterwards to make it smoother.

Scutching Board

            The scutching board provides a surface to scutch the fiber on. It is typically a piece of wood that is upright and has a rounded edge at the top, so that you don’t end up cutting the fiber on the corners. As with the other tools used for processing plant materials into fiber, there are not a lot of solid guides on how to make the item.

            Thankfully, there are plenty of photos online of both antique versions, modern versions, and illuminations depicting scutching boards in period. As with the scutching knife, I have an idea of what I’d like to do for the scutching board and while the finished product is not necessarily period, it does pack down for easy travel.


Time Period and Location

            There are depictions of the scutching knife being used in a fresco from around the 14th century (König, 2020). The woman using it, however, is scutching against her leg and not a scutching board. Scutching can be done on a rock, off a log, off the kitchen table, etc. Scutching boards do show up in art at the end of the 14th century and beginning of the 15th century.

            The scutching board I imitated the most is from the Da Costa Hours dating to 1515 in Belgium. The image, which has been mentioned earlier, shows a woman scutching in the background against a scutching board that is roughly shaped like mine.

Figure 11 Cropped image of flax production (MS, 2018)

Materials:

  • White wood or pine board, roughly 12” wide by 3’ long and 1” thick (scrap from a different project)
  • 18” x 2’, nicer looking plywood ¾” thick (scrap from a previous house project)
  • 1x3” of varying lengths, scrap from brake and other projects
  • 1x4”
  • 1 ¼” wood screws
  • Circular saw, jigsaw, orbital sander
  • Sandpaper of varying grits

Process

            My goal was something I could take apart for easy transport; I could not find any DIYs in my price range of free. I looked at a bunch of pictures, both in period and modern, and decided to make something that could slide into the base. I have a bunch of spare plywood in the garage from various projects and decided to use the nicer of these pieces as the base. The upright part of the scutching board ended up being another leftover piece of white wood or pine from a different project, and it had a slightly thinner width than the base.


The Steps

  1. I cut the base to a length of 24”. This is enough that I can put my foot on the base to hold it, or let it stand on its own.
  2. The upright was already cut in a weird way, so I trimmed off pieces to straighten it out with the jigsaw. There is a curved part to the top that I tidied up with the intention of hanging the knife from. There are two levels to the upright, one best for standing and the other good for sitting. The board was already cut like this and I decided to work with it.
  3. Using the circular saw, I cut a length of 1x3 that is the same length as the bottom of the upright. I then screwed this piece to the bottom of the upright, making sure it was centered.
  4. Cut two pieces the width of the bottom board. I centered a 1x3 (to represent the upright) and aligned the pieces I had just cut against either side of the 1x3. I made sure the center 1x3 could move freely and then screwed down the other 1x3s.
  5. I cut two pieces of 1x4 the width of the baseboard. These were screwed down on top of the top 1x3’s so that they met the edge of the upright.
  6. The upright was a bit tight going in, so I sanded down the base of the 1x3 and the sides, allowing for smoother entry.

Figure 12 The finished scutching board.

Using It All

            With the flax brake complete, the nettle can be broken. This was my first attempt at using one, so I experiment with a bundle, a smaller bundle, and only one stalk. The singular stalk broke completely; it is necessary to have a bundle so that they cushion each other. On its own, the stalk will break. While this is technically the point of the flax brake, the intention is not to completely break the nettle apart. The goal is to just get the inner pitch to loosen from the outside bark. With some fussing about, I determined that a smaller sized bundle of about five to ten stalks was best (see figure 13).

            Holding the stalks, put the end furthest from your hand between the brake. Lift up and with some force, but not a lot, bring the lever down upon the nettle. Lift the lever, twist the nettle, and then bring the brake down upon it again. Repeat this, moving the nettle closer to your hand or further away as needed to break up the pith. Be careful not to come down too hard with the lever and break the plant completely.


Figure 13 The flax brake in use!

            This took a good amount of time for the bundle of nettle that I had. This is possibly because the retting process was not correct, the rails of the flax brake are not spaced correctly, or I need more practice. On a warmer day, I will go out to finish the bundle, but as it was, my neighbors did not seem happy about the noise, and I stopped using the flax brake once I felt that I got a decent handful for the scutching board.
            I moved over to my scutching board and placed the end of the now broken bundle of nettle over the edge. With the scutching knife in my right hand, I brought it down upon the nettle, letting the knife hit against the bark of the nettle and the board with a downward motion. The goal here was to remove more of the woody bits that do not make up the fiber. Figure 14 shows the nettle being worked. I found with this that there that seems like waste, which is possibly due to the retting or my needing to learn better how to use this equipment.

Figure 14 Nettle being worked on the scutching board.

            Once the bark was removed, I took what surprisingly little nettle I had left and sat on the porch. Typically, at this stage, one would start running the nettle through a series of heckles. You would start with the coarse heckle and work your way to a fine heckle. Heckles look like small boards with nails inserted in with varying distances between the nails to represent coarse, medium, fine, etc. Some are placed on a long board with a hole allowing for a foot to hold the base of the board in place. Others can be mounted on tables. König mentions a heckling comb that was found in good condition in a castle in Germany that was destroyed in 1382 (König, 2020). They appear in various arts in period, including an illumination from France (figure 15 below).

Figure 15 Woman heckling flax, cropped image (Gaia, n.d.).

In fact, of all the tools for fiber production, heckling combs are the easiest to locate newly made. König mentions that the heckling comb found in that German castle appears similar to the 19th century one that they have in their possession, meaning that the technology for heckling flax by hand has not changed. I will not go into any amount of detail on making a heckling board, because that is not a project that I have attempted (yet). I am still debating purchasing versus making my own although purchasing a set would be costly. The Woolery has combs for sale on their website, but at a greater cost than I am willing to spend (Combs, n.d.).

Figure 16 The three results after scutching.


Figure 16 shows three piles of what results from using the scutching board. Pile 1 shows the leftover bits of bark and pieces that I will be unable to use for fiber. The tow in pile 2 can be utilized for starting fires, although I am tempted to experiment with carders to see if I can get a usable fiber from it. Pile 3 is the usable fiber that would go through the heckling board if I had one.
            A YouTube video created by WoodlandsTV and posted in 2017 shows a fellow processing both flax and nettle. To finish the nettle, instead of running it through a heckle, he uses the dull side of a knife to scrape the fibers down (WoodlandsTV, 2017). It is this method that I imitated using a 6” drywall taping knife because that is what I had on hand. As mentioned in the video, using the knife creates a lot of waste, although this fiber can be used as tow to start fires. The result from using a flat edge to scrape the nettle gets me a small handful of nettle fiber, the near final result from processing nettle I picked almost a year ago.

Figure 17 Totes worth it.

Conclusion

            This project has been a lot of work with little payout, but I still feel like it was worth it. I keep blaming my issues with the nettle not being retted correctly, but I am not entirely positive that this is correct. I have learned a lot from the start of harvesting, to retting, to retting again, creating the tools, and processing the fiber. There is still a long way to go to having a finished product; this fiber will need to be spun, dyed, and woven into fabric.

Lessons Learned

  • I need to have both more patience and diligence when retting.
  • The next time, I would split the stem while the nettle is fresh prior to retting. It seems like it would make processing easier.
  • More research needs to be completed for all aspects of this project, and I would like to rely less on the nettle Facebook group and modern pages for help.
  • Long sleeve shirts will be necessary; within five minutes of using the flax brake on the nettle my right arm (the one controlling the lever) turned red and itchy.
  • Processing nettle is a laborious task that takes a while; I need to work on my patience with this, as well.
  • Success is a delight. While the small pile I have created is a pittance in the scheme of things, I am wildly happy to see a result after so long. This means I am on the right track.

The Next Steps

  • Create, purchase, or find heckling combs to continue the processing.
  • Learn how to drop-spin or trick someone into spinning the nettle for me.
  • Experiment with dyeing the nettle, possibly alongside flax to experiment with the different ways the fibers take up the dye.
  • Decide if I want to go the full distance and make a warp-weighted loom on my own or purchase (if room allows) a loom.
  • Find a solid source of nettle for future processing. Either sown by me or located in the wild.

References

Adhikari, B. M., Bajracharya, A., & Shrestha, A. K. (2015, August 7). Comparison of nutritional properties of stinging nettle (Urtica dioica) flour with wheat and barley flours. Food science & nutrition. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4708629/

Ähman , T. (2022, October 13). Carving a scutching knife (Growing 1 m2 of FLAX part 3). YouTube. https://www.youtube.com/watch?v=o0pKovl4Omc

Amiens, BM, lescalopier 22. Initiale Catalogue de manuscrits enluminés. (n.d.). https://initiale.irht.cnrs.fr/codex/6053

Bergfjord, C., Mannering, U., Frei, K. M., Gleba, M., Scharff, A. B., Skals, I., Heinemeier, J., Nosch, M.-L., & Holst, B. (2012, September 28). Nettle as a distinct Bronze Age textile plant. Nature News. https://www.nature.com/articles/srep00664

Book of hours, MS M.1175. Fol. 014r. The Morgan Library & Museum. (n.d.). https://ica.themorgan.org/manuscript/page/27/308001

Combs & hackles. Largest Selection Combs and Hackles | The Woolery. (n.d.). https://woolery.com/fiber-tools/combs-hackles.html

Cotswold Archaeology. (2024, August 23). Scutching knife. Cotswold Archaeology Virtual Museum. https://cotswoldarchaeology.co.uk/museum/scutching-knife/

Gaia Caecilia from BL Royal 16 G V, F. 56. PICRYL. (n.d.). https://picryl.com/media/gaia-caecilia-from-bl-royal-16-g-v-f-56-ab0ef4

Hirst, K. K. (2019, May 20). Ancient ways to beat, Scutch, and heckle flax to produce linen textile. ThoughtCo. https://www.thoughtco.com/making-linen-history-neolithic-flax-processing-171347

Know your fibre - nettle. YAK. (2020, July 24). https://yarnandknitting.com/know-your-fibre-nettle

König, M. (2020, May 25). Flax fibre extraction techniques in the late Middle Ages. EXARC Journal. https://exarc.net/issue-2020-2/at/flax-fibre-extraction-techniques-late-middle-ages

MS m.399, fol. 12V. The Morgan Library & Museum. (2018, April 7). https://www.themorgan.org/collection/da-costa-hours/24

Nigon Wyrta Galdor: “The nine herbs charm.” Mimisbrunnr.info: Developments in Ancient Germanic Studies. (n.d.). https://www.mimisbrunnr.info/nigon-wyrta-galdor

O’Brien Beaumont, P. (2021, May 28). Building a flax brake. Spindles In the Wild. https://spindlesinthewild.com/portfolio/building-a-flax-brake/

Stinging nettle. Stinging Nettle - NYS Dept. of Environmental Conservation. (n.d.). https://www.dec.ny.gov/animals/105371.html

WebMD. (n.d.). Nettle leaf: Health benefits, nutrition, preparation information, and more. WebMD. https://www.webmd.com/diet/health-benefits-nettle-leaf

WoodlandsTV. (2017, June 20). Working with Flax and Nettles. YouTube. https://www.youtube.com/watch?v=Q0SFRIZqkfE

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